Posts Tagged ‘combo’
January 7th, 2012 | 
Author: 
http://www.drzamps.com The Mini-Z from Dr. Z demoed with single coil pickups on a stock American Standard Stratocaster
Duration : 0:9:51
Posted in guitar amp | 
Tags: attenuator, bedroom, boutique, Club, coils, combo, dude, gear, gearmandude, Low, man, mann, power, singlecoil, small, unique | 
22 Comments »
This is a demo of my 1975 Fender Deluxe Reverb amp, this thing is the best sounding deluxe i have ever heard. I searched high and low, black face, silver face, drip edge, you name it i tried it, THIS AMP HAD IT ALL! Not only did the sound blow me away when i turned it around i found out that it had everything original and in working order, caps, tubes, speaker, even the power chord had the “do not destroy” tag on it from fullerton california. It is in amazing condition 9/10 and any guitar sounds good through it. So before you turn your nose up to it and say “oh it cant sound that good its a silverface” LISTEN to it! When you find the right amp it doesnt matter what year it is, what panel it has on it, ect. This is the ultimate fender amp.
And sorry to y buddy Gearmandude, this demo looks like your demos but the only reason i did it this way cause i was using the Zoom on the floor where the mic sounded best haha.
Duration : 0:7:47
Posted in fender amps |
Tags: 100, 1975, 2000, 50, 52, 58, 59, 800, 900, AC15, ac30, Airline, ampeg, amps, aney, Blackface, blackgaurd, boogie, cabinets, City, coil, combo, Deluxe, demo, DSL, fender, hand, handwired, Hartke, humbucker, JCM, Korg, les, marshall, Martin, mesa, NOS, Orange, PAF, paul, Point, RCA, reverb, rosewood, sg, Silverface, single, sound, strat, Stratocaster, Taylor, Tele, Telecaster, to, tone, tubes, vox, wired |
7 Comments »
SOUND SAMPLES @ 06:31
This video shows the Palmer DREI Triple Single Ended Amplifier explained by Markus Torvinen (Palmer Engineer) and Robin Henlich (Palmer production manager).
The Sound of the Amp was recorded trough a Palmer 4 x 12″ Cabinet with Celestion Vintage 30 Speakers and a Shure SM57 microphone.
The Palmer DREI design is more than just a visual extravaganza – it mirrors the concept and the circuitry. For the purest, most natural distortion only a single-ended design will do.
Single-ended tube circuits are straightforward and simple, providing the most organic, raw tube sounds possible. In contrast to the more powerful push-pull designs the output of single-ended circuits usually does not exceed 5 Watts. That is why single-ended circuits are mostly found in small practice amps preferred by many top-notch players for recording.
Dating back to the first days of vacuum tubes single-ended amplifiers are nothing new. However, the Palmer DREI incorporates THREE of these providing three times the output power of a standard single-ended design! Moreover, it accepts a variety of output tubes which all have their own unmistakable sound characteristics.
The EL84 is bright and “British” sounding with tons of distortion (think Vox amps), the 6V6 provides somewhat darker tones with a smoother “American” distortion flavor (think Fender), and while it is tight and bright at lower volumes the 6L6 becomes progressively darker when driven hard. With the Palmer DREI you can mix and match power tubes from three distinct amplifier tones and thus create your own voice.
Three different single-ended amps in a single unit – that’s the Palmer DREI formula!
Specifications
Tubes:
V1 – V3: ECC83 / 12AX7 Hand Selected Preamp Tubes
V4: EL 84 / 6BQ5 (Power Amp „Eins”), 5 Watt RMS ouput power
V5: 6V6S (Power Amp „Zwei”), 5 Watt RMS output power
V6: 6L6GC (Power Amp “Drei”), 8 Watt RMS output power
V7: GZ34 / 5AR4 (Rectifier)
Special design transformers, 200 mA full anode current choke
Regulated DC Preamp heating voltage
Only 5 passive parts on signal way, all tube design
Controls:
Vorstufe (Preamp controls): Normal Sättigung (LF, Muddy overdrive), Höhen Sättigung (HF, Tight overdrive), Klang (Tone control)
Endstufen (Power amplifiers): Eins (Volume control for EL 84-Single ended tube), Zwei (Volume control for 6V6S-Single ended tube), Drei (Volume control for 6L6GC tube)
Strom (Power on-switch), Bereit (Standby-switch)
Connections:
Eingang (Input): 6,3 mm Jack, 1M ohm, tuned for passive pickups
Lautsprecherausgänge (Loudspeaker outputs): 6,3 mm Jack, 4 ohm, 8 ohm, 16 ohm
Join us on Facebook:
http://www.facebook.com/palmergermany
Official Website:
http://www.palmer-germany.com
Official Worldwide Distributer:
http://www.adamhall.com/
Duration : 0:10:28
Posted in guitar amp |
Tags: [root, 50, adam, amplifier, celestion, celestion vintage 30, chorus, combo, compressor, distortion, DREI, effects, Electric, FAT, FAT50, full, Germany, guitar, hall], Metal, Overdrive, PALMER, PDI 09, PDI03, PDI09, PECHOR, PECOMP, PEDIST, PEFLA, PEHURR, PEOD, PEPHAS, PESM, PGA 04, PGA04, PGA05, Pocket Amp, PTHRUSTER, Rig, solid, talk, talking, tech, thruster, Tools, Tube, Vintage, vintage 30 |
23 Comments »
Join Sean Halley as he shows you how to deep-dive into the thick tube tones of DT50. Hear its four classic voicings (American clean, British crunch, class A chime and modern high-gain), and see how the Bogner-designed power amp section automatically reconfigures key elements like class, pentode/triode, and feedback to match the preamp settings for each tone. DT50 gives you the ideal “jumping off point” for each tone — but from there, you can change settings and fine-tune your tone — or create something new entirely.
Duration : 0:11:39
Posted in guitar amp |
Tags: amp, Amp modeling, amplifier, bogner, combo, DT-50, DT50, guitar, Line 6, Line6, modeling, Pentode, power, power amp, Reinhold Bogner, tone, Triode, Tube |
12 Comments »
Buy the Mustang amp here.. http://www.nevadamusic.co.uk/guitar/amps-and-cabs/fender-mustang-ii-guitar-amplifier#axzz1NvQzBVGQ
Damon from Fender introduces the fab new Fender Mustang amp range. He’s playing a Squier Classic Vibe 60’s Strat in Sunburst http://www.nevadamusic.co.uk/Guitars/Electric-Guitars/Electric-Guitars/sc1437/p7140.aspx
and a USA HSS Strat in Sienna Sunburst http://www.nevadamusic.co.uk/Guitars/Electric-Guitars/Electric-Guitars/sc1437/p7286.aspx
The new Fender® Mustang™ amplifier series raises the standard for modern guitar versatility and muscle. Driven by incredibly authentic amp models and a huge bank of built-in effects, Mustang™ amplifiers come equipped with USB connectivity and Fender® FUSE™ software, allowing your musical creativity and imagination to run wild.
Mustang™ I and II contain 24 highly accurate on-board amp presets with tones from vintage Fender® sparkle to outrageous modern metal distortion. Arranged in three banks of 8, all 24 amp presets are easily and instantly accessed right out of the box with only a twist of a single knob. Plug in and you’re up and running. Mustang™ I is a 20-watt amp with an 8″ speaker. Mustang™ II rocks a little more horsepower—a 40-watt amp with a 12″ speaker and a slightly larger cabinet.
Connect Mustang™ to your computer with free Fender® FUSE™ software. Open up a world of possibilities, including on-screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender® FUSE™ community, and free Fender artist presets.
Duration : 0:15:1
Folks, this is the first in a 4 video set. This is an overview of the Carvin V3M. In this video, you’ll see a close-up of the front & back panel features & functions, and you’ll hear sound sample from each channel. ALSO – as this video is simply an overview, there will be 3 additional videos coming soon – with focus on each individual channel’s features, functions and tone shaping abilities!
As always, I hope you enjoy the video. Thanks & Rock ON!
Duration : 0:6:11
http://bit.ly/onTOc1 Click the link above to receive free exclusive videos, newsletters, and lots more free guitar and music goodies from Next Level Guitar.
In this video guitar lesson we demo a cool new piece of gear made by Audix called the Cab Grabber – we show how it works and why its cool to isolate your amp cabinet and makes way to carry less gear around for live shows. Check it out and check out some of our other lessons on microphones and amp cabinet mic techniques here on our youtube channel.
Many more full on video lessons as well as a FREE 3-day all access site pass at the full on video instructional website at:
Duration : 0:5:51
Buy the Blues Deluxe here… http://www.nevadamusic.co.uk/Guitar-Amplifiers-and-Speakers/Guitar-Amps-Combos-and-Cabinets/Guitar-Combos/sc1585/p3414.aspx Think Fender and for most people a Strat or Telecaster will come to mind, but let’s not forget they also have a history for making some of the finest amps on the planet. Just as Fender got it right first time with their two iconic guitars, the same has to be said of their amps. It’s amazing that in a world brimming with technology and miniature gadgets galore, that no one has come up with a better formula for amplifying guitars than the good old valve. It’s little wonder then that Fender offer a range of brilliant reissues from the ’50s and ’60s. Here we have the tweed covered Blues Deluxe.
This combo weighs in at 45lbs and is solidly constructed. Height is 18.75″ width 23.5″ and Depth 10.5″. There are three 12AX7 and two 6L6 valves plus a solid state rectifier. One 12″ Eminence special Fender design 50 Watt speaker delivers the sound. There are two channels, superb vintage Fender clean and the bluesey drive channel with a host of features.
Independent Gain and Master Control’s for the drive channel. A bright switch, effects loop, reverb, presence, middle, bass, treble, drive select button, drive, volume and further bright switch. Finally the power and standby switches. All mounted on a highly polished chrome panel with retro looking chicken head knobs. This amp is capable of producing the classic Fender clean tone and punchy blues rock sounds with ease. Comes with channel footswitch.
I feel if your toying with the idea of an affordable classic Fender style gigging combo, you’ll find no better match than with the Blues Deluxe. Just add a couple of your favourite pedals for a great set up. Highly recommended by players the world over.
Duration : 0:8:1
Buy the Mustang amps here… http://www.nevadamusic.co.uk/search.aspx?keywords=mustang%20amp
The Fender Mustang III is a 100-watt open-backed combo with a 12″ Celestion speaker that utilises modeling software technology to re-create classic Fender, UK and other popular US amplifier models. It contains 100 amp presets derived from 12 different amp models, delivering tones from vintage Fender sparkle to contemporary metal distortion, and 37 different effects in four categories (stomp, modulation, delay and reverb) that can be accessed at the push of a button …
With a power rating of 100 watts the Fender Mustang III covers pretty much all bases and is loud enough for rehearsals and gigs whilst the 1/8″ headphone input doubles as speaker-emulated line out. To further expand the possibilities of the Mustang III combo, connect it to your computer via the on-board USB port with the free Fender FUSE application software.
Suddenly this opens up an entire world of possibilities, including on-screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. Mustang III’s included programmable two-button footswitch controls the preset up/down programme access, effects on/off and tap tempo (optional four-button footswitch also available).
This is an amp that you need to hear to be able to appreciate just how good the software emulations are, the 100 watt rating will be loud enough for all but the biggest venues and there is a host of amplifier models to cover every possible musical genre. See this fabulous amp now at Nevada Music Warehouse …
Duration : 0:33:59
Check out My Band! http://www.youtube.com/infinityundone
http://www.myspace.com/infinityundone
Peavey Valveking 100 Head and Valveking Slanted Cab
Playing with a Fender Texas Fat Strat which is an awesome guitar that they don’t make anymore 
I use no effects whatsoever it is straight from the guitar into the amp. I do however use the Peavey Remote Switch (Foot Switch) to switch between the clean and lead channels and to toggle the boost volume and/or gain (boost), all of those features are found on the amp though.
This video is basically meant to give people a good idea of the ValveKing Amplifier and Cab.
I have done a lot of research to find what would be the best half-stack I could buy for the money. My conclusion was that the Peavey Valveking 100 was the best fit for me.
This amp is VERY loud, and Very Versatile.
I have it on less then 1 volume in this video and it was still so loud earplugs would probably be a good idea.
Keep in mind that a tube amps distortion does not generally sound good until pushed to a very high volume. I still feel this amp sounds good on low volumes and can be used as a practice amp. But I know it would sound even more amazing at high volumes!
I also considered buying a Bugera 6262, and a B-52 AT which I have heard great things about both, but I also heard those amps are VERY UNRELIABLE. They are built with cheap parts apparently and can break down at any moment.
Peavey Amps have the reputation of being extremely durable, they pretty much last forever. I still have a used Peavey Bandit 75 which was made in the 1980’s and it still works fine.
Overall, I am very happy with this amp, and I hope this video helps people make a choice when considering buying a new amp. Peavey products are an incredible value for the money in my opinion.
Don’t Forget to check out my band if you like this video! www.myspace.com/infinityundone
Duration : 0:8:21
Posted in tube amps |
Tags: 100, acoustic, Alice In Chains, All that Remains, amp, amplifier, Awesome, B-52, bass, Bugera, combo, crazy, Disturbed, dragonforce, Electric, fender, gibson, guitar, Guitar Hero, Hard, humbucker, Infinity Undone, Iron Maiden, Jimi Hendrix, Krate, Led Zeppelin, les paul, Line 6, marshall, Metal, Metallica, Myspace, Nirvana, peavey, Pink Floyd, Randall, riffs, rolling stones, Santana, SlipKnot, solo, speakers, Stratocaster, Tapping, Teach, The Beatles, Valve, Valve King, Valveking, Vocals |
2 Comments »